|
Greetings
Serpent Inquisitor, "Harbringer"
is a great work emerged from one the rawest, fastest underground scenes
in the planet: Australia's. Do you think Harbringer has brought you the
recognition you deserve from this great scene?
It has not yet brought fully our fruits, yet seems so very capable
in doing so, and is! I agree, Australia always had the penchant for that
which is ugly and greatness has always been amongst us, but only recently
has it been given a spotlight. A little late forthcoming, yet better than
never. StarGazer is often identified with the Australian scene besides
others, and it warms my heart to read interviews by fellow Australian
bands, and even ones we know not so well, whom refer to StarGazer as definitive
listening. Unfortunately, 'Harbringer' is limited in its length and does
not fully display our variety, even by the age of songs on thus said CD.
But it is certainly a great start.
Each
Stargazer's song is different for instance, "Perennial fire" is different
from "Abstract flames burn white". Is it difficult to change from one
song to another?
Not to any degree of impossibility obviously. This is somewhat deliberate,
and not, as we enjoy a wide range of metal and non-metal, so inspiration
and influence from variety's walk is natural to us. On the other (left)
hand, it has become quite a challenge not to complete one big repetetive
circle, considering over two albums of material has been written since
'Harbringer'! It is at this point that bands can risk changing style for
sake of avoiding repetition, but so far we have achieved continued variation
and have some tracks that exceed our previous brutality.
Your lyrics are influenced by the Veda. Where
does this influence come from? Besides
Singapore's Rudra very few bands reflect this influence.
My lyrical endeavours are influenced by the veritable mountain of olden
texts, the knowledge of ages gone, the words of sages and the lineage
of our current races inhabiting this menagerie and zoo we know as Earth.
The influence, my friend, is inherent! I, as well as the others of StarGazer,
and select individuals the world over, seek exactly that, via their own
stream. The Mcd 'Harbringer' is quite vague lyrically and very symbolic,
dealing very much with 'animal instinct', the emotional flux that we associate
to animals where mirrored.
Your cover art work is not common. What does
it mean?
It is a tapestry print of a divine Rishi riding a chariot that soars the
air! As reports in various ancient texts the world over, these machines
were employed by many lords, kings and gods to traverse that distance
which would pain and age any fit man to traverse on foot and boat! I believe
it is swift becoming obvious to even the most stoutly sceptic that the
'ancients' may well have been more technologically advanced (though wielding
a different technology to ours today) than this age.
Tell us about the lyrics of "Totalitarian Wormholes"
It symbolizes the volitility of hate and it's impressions of despair,
vorticing to hate once more. A deeply rooted, ancestral anger that pervades
the blood and obsesses the mind, spirit and contorts the body to its purposes.
I express that pent anger can fuel sickness to ones body, make one stronger,
and even be passed on through blood to siblings.
The
other band on your split C.D is Invocation. Did you help in choosing Invocation
for this split? Have you shared a stage with them?
I received a rehearsal of Invocation and become hopelessly enamoured by
it and recommended they send a recording to Dies Irae Productions. It
was soon thereafter that Falmi suggested the collaboration, and we heartily
agreed. No we have not shared a stage with them..it would be too crowded!
Seriously, no, as we are lacking a little drummer boy. But we have played
on the same bill as Invocation with Martire (the two animating StarGazer
are also part of Martire today), close enough.
This split C.D is kind of a tribute to two great
cultures. Stargazer'sto Hindu culture and its sacred texts, and Invocation's
to Sumerian culture.I'm not talking about a light influence. It seems
both bands truly feel this influence. What do you think?
Well you are correct to some degree concerning Invocation, but we do not
pay tribute to the Hindu culture, but only one of many great cultures,
ancient and obscured cultures definitely. Yes both bands are very serious
about what is preached and played, I am glad you noticed, as we are but
a few.
How do you balance metal and the Vedic aspect?
There is no balance to speak of. Our spiritual aspect, and flux beliefs
confer emotional and trancendental influence upon our metal.
|
Do you know Sanskrit? Are you interested in the
Vedic sacred texts as well as profane literature?
The Great Righteous Destroyer currently pits his mind to the grasping
of the Vedic language, and yes of course we are interested in the texts.
The Vedic texts are profane, but profane to whom? All ancient recordings
are considered profane by one sect to another, by another, but who is
incorrect and who speaks a whole truth?
Let's go back to your early days. Tell us about
your 7" Borne and your demo "gloat". Was the Vedic influence already in
your lyrics? Who released these works?
Oh dear, we are getting old aren't we?! The rehearsal demo 'Gloat' was
released from our bedrooms and received great reviews from many shores.
Recorded on a four track porta-studio but retaining a quality that we
will never achieve again, and has become special to me. The 7" 'Borne'
was our earliest studio attempts collected on a little black disc, released
by Dream Sovereign Productions (Dream Sovereign were an olde Australian
black metal band whom released a demo and album but have since ceased,
with all members dissapearing from the scene, barre the drummer who services
Nocturnes Mist). No, we were mostly unaware of Vedic archaism then.
Four tracks of your "Harbringer" work belong
to the "Gloat" demo, and"Abstract flames burn white" contains stuff from
the 7" Borne-Why didn't you include the other three tracks of the 7" and
released a full length C.D?
What a concept! This had actually been our plan during 1995! We had planned
to release something that contained the 7" tracks plus some elder nuances
: 'Final Winter Kiss', 'Infernal' and 'The 69th Maggot'. The second in
our drummer lineage did not learn the old material at all, as we had so
much other, advanced songs to work with, even those many years ago! We
will most definitely re-record and have released 'Infernal' and 'The 69th
Maggot' in the nearer or farther future.
"Lust
in pyramis" seems to be the only new track. It contains more Death Metal
and melodic parts than the rest of the songs. Is it because it's new?
Or is it the way to express something?
'Interrestrial
Black Twilights' is so very death metal, moreso than Lust In Pyramis yet
it exudes a jaggedness and technicality that I can see your reasoning.
If you have a hand and eye on the dates supplied atop the lyrics section,
you may care to note that Lust In Pyramis is not the freshest track on
Harbringer. A host of tracks was in our repetoire even then, that were
significantly varied, these will find sanctuary on the debut album.
I'm sure you already have new stuff for your
upcoming debut C.D. Will you stay with Dies Irae prod? Do you have other
offers?
Falmi!!?? No way!! He is a conniving liar and rip off!! The
fellow seriously believes he is the next incarnation of Michael Jackson,
and Mikey is not dead yet!! Falmi managed to shaft Impiety by allowing
them to not allow him to press any more 'SkullFucking Armageddon' CD's
to make his money back, plus he initially went ahead and released it on
an embossed professional digipack!! What an asshole! He also payed an
exorbitant amount of $US to fly Dim Mak to Florida to record in Eric Rutan's
studio!! Shit! He signs crap bands and eats crap like lollipops. He forced
us to sign his 'contracts', forged in Hells flames, at gun point and has
guaranteed that he will pay for all our recording and release costs, and
even now advertises our split CD in major fanzines/magazines the world
over! He must be stopped! We have over 2 albums worth of songs, and the
debut is all planned, but not surprisingly, the material is not so new!
The album is entitled even now, called 'The Scream That Tore The Sky',
hopefully recorded in no more than an earth year from now. Here is the
order of tracks ;- ….Of The Sun, The Scream That Tore The Sky, One Will
Always Feast, Insomniate Vortex, Tongues, Ye Olde Magicks, Pale Brethren,
Scribe To The Forsaken Mother, Viral Spears And Shards Of Moonskin. Other
labels have expressed interest since, but we will honor the
|
written
and friendship we have with Dies Irae for now.
Dies
Irae's falmi does a great job promoting bands in the Asian Continent.
What is it like to work with him? What do you think of his label and the
bands with him? (Impiety, Dim mak. Death of Millions)
Falmi is a workhorse, a slave to his dedication. The only problems encountered
thus far have been to the geographical location and some negative aspects
of dealings with those outside of the label direct. I assume the promotion
would be best of all places in Asia, he has supplied advertisements in
many magazines elsewhere, more than I would initially have thought. Falmi
is genuine and really serves the underexposed underdogs of the metal scene,
as he has a real inkling towards originality. I cannot help but respect
him totally for those efforts alone. Plus any fan of Ripping Corpse is
one of mine! Death Of Millions are much better than I had originally expected,
and I grew fonder of the album after repeated listens. The Impiety album
was impressive also, especially Falmi's drumming on that kept it that
bit more interesting. I am a thorough Dim Mak fan, especially their latest
material, omnipotent and godly, eight fold genius!! Eight drunk immortals
bray!! Fuck yesth!! His last signing as I know it is Fly Machine, whom
consist of a couple ex-members of Confessor, a technical metal band signed
to Earache, probably best known from the 'Gods Of Grind' promotion many
years ago.
Some sort of Australian invasion has been happening
during the past years within the world of raw fast metal. Why is this?
Why are the labels playing more attention to Australian bands? What are
the best for you?
Maybe this question is best left for the labels to answer? It could be
that they plan that Australia to be the next trend, considering it has
largely been undiscovered until recently. Many metal fans seek a slight
difference in their brutality nowadays, and Australian bands can provide
that aspect in its own unique manner, as other countries do and can. Respectable
bands here are those whom take no heed of the trends….Pagan, Anatomy,
Martire, Miserys Omen, Cauldron Black Ram, Lord Of The Command, Invocation,
Omnium Gatherum, Intellect Devourer, Encabulos, Jesus Anal Penetration,
there art plenty others, but this is starting to look like a thanks list!
Good Underground metal is all over the world.
It is very common that bands from places far from Europe and the USA (Brazil,
Japan, Singapore,Australia) Come to tour there. Why do you think this
is happening? What do you think of that? I shall speak for
Australia if I may and any correspondence between my country and those
mentioned may come to sense. Simply put, Australia is a small scene, the
cities lay a huge distance betwixt each other, plus we are isolated from
other scenes of which we are so fond, why would we not want to play those
countries?!
Is touring Europe or USA the highest achievement
for a band? Why do you think legendary bands never went there on tour?
A goal for a band, but the achievement holds no special esteem to the
band simply because of their travel. Great inspiring musick that will
last the ears of ages is a true achievement. Some legendary bands may
not have made the money, or organisational skills or desire to tour Europa
or the U.S.A. Shiva knows I do!!
You have a great web page, and I got in touch
with you for this interview through E-mail, However you asked me to send
you the interview via snail mail, in a letter. Do you have anything against
E-mails or PC's? Do you miss going to your P.O.box, picking up your hand
written letters, and keeping them? Does this high technology and human
automation get to you in anyway?
My appeal for written mail was only that I have no reliable
e-mail access. I must stress that I cannot bear to sit placated in front
of a radiation box of a computer much longer than two hours, so yes, I
prefer the pen. And I must admit to that excitement whence my PO Box is
opened! Especially when kick ass packages are overflowing! I worry only
for the averse health aspects of the computer, like mobile phones, the
producing companies have conveniently left those details they know so
very well, away from the consumers. What does
the name Stargazer mean to you? Looking at stars.
Well, thank you for your time, bid us farewell,
and give us some parting words. This exposure you grant us
is exceeding courtesy, and I thank you for your effort!! Furthermore,
thy site is grand! I salute you brother! I have the StarGazer/Invocation
for sale at $10 U.S. p.p.d and stickers are to be distributed very soon
and can be demanded through a letter to us. 'Sail the vast and great underkeep
Immaculate citadel spills a steady seep Psychic dark, thick as wine, a
starry weep'…. (from 'Formless Face Of The Timeless Faceless' by StarGazer)
The Serpent Inquisitor.
|